0.5GB
There is a moment early on, after the escape from the castle cells, where the game stops being a war story. You reach the X-Labs, the lighting drops out, and the enemies stop shooting back in any conventional sense. Loper mutants, resurrected soldiers stitched together in vats, a laboratory soundtrack of dripping and machinery. Gray Matter's take on the Wolfenstein premise took the Nazi-occult joke that Wolfenstein 3D told in 1992 and played it straight, and the PS2 conversion keeps that tonal swerve intact.
Operation Resurrection is the console-shaped version of the 2001 PC release: the id Tech 3 campaign, rebuilt for a pad, with additional missions and the multiplayer component stripped out entirely. That last point mattered at the time, because on PC the team-based multiplayer was arguably the more durable half of the package. What is left is a linear single-player run of about twenty missions, and it holds up better than the amputation suggests, largely because the campaign was always the more atmospheric part.
The design alternates deliberately. Some levels want quiet: a suppressed pistol, an officer patrolling a courtyard, an alarm panel that will summon reinforcements for as long as you let it stand. Others hand you a Venom chaingun and a corridor full of elite guards and expect noise. The sniper rifle sections in the village and the forest are the best of it, slow and legible in a way the run-and-gun stretches are not. Enemy AI shouts, flanks and takes cover, which in 2003 on a console still looked like something.
The port shows its seams. Frame rate wobbles when the particle effects and multiple enemies stack up, texture work is coarser than the PC original, and analogue aiming makes the tighter firefights fussier than they should be. Checkpointing is unforgiving by modern habit. None of that ruins it, but you feel the hardware straining against a game built for a mouse and a mid-range PC.
What survives is the mood. Deathshead's experiments, the Paranormal Division, the crypt levels where the undead come at you in silence — it is pulp, and it commits to the pulp completely, which is more than most shooters of the era managed.
0.5GB
0.1GB Metal Slug 5
3.4GB Killzone
1.6GB Red Dead Revolver
0.3GB Gradius V
1.8GB XIII
2.0GB Star Wars - Battlefront II
0.3GB Unreal Tournament
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